Proceedings of the International Conference on Art Studies
Year: 2024
DOI:
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Ugly Art: What it is. What it Does.
Donna L. Roberts
ABSTRACT:
This paper explores the concept of “ugly art,” examining its definitions, characteristics, and impact within the broader context of art theory and cultural discourse. Ugly art, often dismissed or misunderstood due to its deviation from conventional aesthetic norms, serves as a potent medium for challenging established notions of beauty, provoking emotional responses, and engaging in social and political commentary. Through an analysis of historical and contemporary examples, the paper traces the evolution of ugly art and its role in disrupting traditional artistic values. It delves into the philosophical underpinnings of ugliness, drawing on the works of thinkers like Kant and Hegel, to frame ugly art within a broader theoretical context. The study also highlights the emotional and psychological effects of ugly art on its audience, considering how it evokes discomfort, shock, or critical reflection. By comparing case studies, the paper illustrates the diversity within ugly art and its capacity to address a wide range of themes, from personal trauma to societal critique. Ultimately, this paper argues that ugly art, far from being a mere aesthetic anomaly, plays a crucial role in expanding the boundaries of art and encouraging deeper engagement with the complex realities of the human experience. The findings underscore the significance of ugly art in both historical and contemporary settings, offering insights into its ongoing relevance and potential future developments in art theory and practice.
keywords: aesthetic rebellion, artistic meaning, artistic provocation, impact of art, subversive art