the History of S'Tieng instrumental music in Binh Phuoc Province perspectives on conservation – promotion and inheritance from a cultural management perspective

History of S'Tieng instrumental music in Binh Phuoc Province perspectives on conservation – promotion and inheritance from a cultural management perspective

Authors

  • thao pham dac vy Lecturer at Thu Dau Mot Unviersity, Binh Duong Province, Viet Nam

DOI:

https://doi.org/10.33422/icreconf.v1i1.455

Keywords:

Cultural management, Ethnic minorities in the Southeast, S'Tieng instrumentation

Abstract

Vietnam is a multi-ethnic country. In the territory of Vietnam, there are 54 ethnic groups living. Each ethnic group has a process of attachment to the historical process of Vietnam through the periods, making contributions in the history of building and preserving the country. In the history of establishment and development, Binh Phuoc province belongs to the Southeast is an area with many ethnic groups and communities, including the S'Tieng ethnic group. The cultural assets of the S'Tieng ethnic groups in the Southeast are quite diverse and complex, with many cultural systems intertwined and intertwined. On this land, there were ethnic groups living for a long time, before the Vietnamese came to declare the land. Ethnic groups such as S'Tieng, Mạ, Chơ-ro, Cơ ho, Mơ nông are considered indigenous inhabitants. The cultural heritage of the S'Tieng ethnic group has its peculiarities, contributing to making the cultural appearance of the Southeast in general and Binh Phuoc province more diverse and rich.

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Published

2024-09-18