“We meet reality only in our prediction errors.” On the source of new patterns in art.

Authors

  • Zofia Leśnik Institute of Literary Research of the Polish Academy of Sciences

DOI:

https://doi.org/10.33422/ellconf.v1i1.668

Keywords:

meta-expectations, epistemic arc, invisibility principle, Master Narrative Framework, transparency-opacity

Abstract

The analysis of two novels by Joyce Carol Oates - Blonde and The Gravedigger's Daughter - aims to consider a hypothesis concerning the relationship between aesthetic experience and the ability to switch master narrative framework (MNF) alternative narrative. Master narratives have many uses for members of a group (utility principle), such as providing relevant information to understanding the group’s rules and characteristics (e.g., its history, values, and social norms). Most members of a culture effectively accept and internalize master narratives without recognizing them explicitly as such (invisibility principle). The fact that master narratives are unconsciously internalized as ready-made guides for how to live a life and understand the lives of others facilitates adaptation by alleviating the necessity for effortful reflection on everyday choices, actions, or events.

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Published

2025-01-08