“We meet reality only in our prediction errors.” On the source of new patterns in art.
DOI:
https://doi.org/10.33422/ellconf.v1i1.668Keywords:
meta-expectations, epistemic arc, invisibility principle, Master Narrative Framework, transparency-opacityAbstract
The analysis of two novels by Joyce Carol Oates - Blonde and The Gravedigger's Daughter - aims to consider a hypothesis concerning the relationship between aesthetic experience and the ability to switch master narrative framework (MNF) alternative narrative. Master narratives have many uses for members of a group (utility principle), such as providing relevant information to understanding the group’s rules and characteristics (e.g., its history, values, and social norms). Most members of a culture effectively accept and internalize master narratives without recognizing them explicitly as such (invisibility principle). The fact that master narratives are unconsciously internalized as ready-made guides for how to live a life and understand the lives of others facilitates adaptation by alleviating the necessity for effortful reflection on everyday choices, actions, or events.
Metrics
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Zofia Leśnik

This work is licensed under a Creative Commons Attribution 4.0 International License.



